Jafar Panahi’s ‘It Was Just An Accident’ wins Palme d’Or at 2025 Cannes Film Festival

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Jafar Panahi’s ‘It Was Just An Accident’ wins Palme d’Or at 2025 Cannes Film Festival

Jafar Panahi’s It Was Just An Accident has won the Palme d’Or at the 2025 Cannes Film Festival, which wrapped Saturday night (May 25). Scroll dow

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Jafar Panahi’s It Was Just An Accident has won the Palme d’Or at the 2025 Cannes Film Festival, which wrapped Saturday night (May 25).

In his speech Panahi addressed “all Iranians, with different opinions, in Iran and around the world”. He said: “The most important thing is our country and the freedom of our country. Let’s arrive at this moment, together, when no one dares to say what we should wear, what we should or shouldn’t do.”

It was a sixth Palme d’Or winner in a row for Neon, which has North American rights (Mubi has multiple international territories). Neon has picked up four of the night’s award-winners.  

Earlier in the day It Was Just An Accident jointly topped Screen’s Cannes jury grid grid alongside Two Prosecutors.

The ceremony went without a hitch despite a massive power outage that cut electricity in across the South of France earlier in the day and saw the complete shutdown of all activity in Cannes. By around 3pm power had returned as talent and organisers scrambled to get everything – and everyone – red carpet ready.

Other awards

Sentimental Value

Joachim Trier’s Sentimental Value took the Grand Prix. Trier’s third picture in Cannes Competition, it stars Renate Reinsve as a stage actress who has a complicated relationship with her estranged father, played by Stellan Skarsgard.

The best actress award went to Nadia Melliti for her role as a 17-year-old French Algerian woman grappling with her attraction to women and her Muslim faith in Hafsia Herzi’s The Little Sister.

Kleber Mendonça Filho’s The Secret Agent won two prizes, a political thriller set in 1970s Brazil. He was named best director and accepted the best actor prize for Wagner Moura. For a brief moment Filho was missing in action when his name was called out, as the audience could be heard shouting “where is he?”. “I was drinking champagne” he joked while rushing back on stage.

Da’Vine Joy Randolph handed out the jury prize that was shared by Oliver Laxe’s Sirât and Mascha Schilinski’s Sound Of Falling.

Two-time Palme d’Or-winners Jean-Pierre and Luc Dardenne won the prize for best screenplay award for Young Mothers, about five girls grappling with the challenges of parenting a newborn.

The Camera d’Or, which awards the best debut feature through all sections, went to Iraqi filmmaker Hasan Hadi’s The President’s Cake (Directors’ Fortnight), with a special mention going to Akinola Davies Jr’s My Father’s Shadow that played in Un Certain Regard. The award for The President’s Cake is the first to be given to an Iraqi film in Cannes.

Chinese director Bi Gan’s fantasy epic Resurrection won the special award.

The ceremony was hosted by French actor Laurent Lafitte who kicked off the night by reminding everyone that “the essence of the festival is still the same – the films and those who make them.”

This year’s jury was made up of president Juliette Binoche, plus Halle Berry, Jeremy Strong and Payal Kapadia, Alba Rohrwacher, Leila Slimani, Dieudo Hamadi, Hong Sangsoo and Carlos Reygadas.

The prizes for the Un Certain Regard strand and the Directors’ Fortnight and Critics’ Week sidebars were announced earlier this week 

Cannes 2025 Competition awards

Palme d’Or: It Was Just An Accident, dir. Jafar Panahi

Grand Prix: Sentimental Value, dir. Joachim Trier

Jury Prize: Sirat, dir. Oliver Laxe & The Sound of Falling, dir. Mascha Schilinski

Best Director: Kleber Mendonça Filho, The Secret Agent

Best Screenplay: Jean-Pierre and Luc Dardenne, Young Mothers

Best Actress: Nadia Melliti, The Little Sister

Best Actor: Wagner Moura, The Secret Agent

Special Award: Resurrection, dir. Bi Gan

Camera d’Or: The President’s Cake, dir. Hasan Hadi

Special mention: My Father’s Shadow, dir. Akinola Davies Jr

Short Film Palme d’Or: I’m Glad You’re Dead Now, dir. Tawfeek Barhom

Special Mention: Ali, dir. Adnan Al Rajeev

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