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Ibrahim Nasrallah: What is happening in Gaza is bigger than 100 novels Palestinian novelist and poet Ibrahim Nasrallah places the narrative of the Pa

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Ibrahim Nasrallah: What is happening in Gaza is bigger than 100 novels

Palestinian novelist and poet Ibrahim Nasrallah places the narrative of the Palestinian homeland at the heart of his literary project, which ranges between literary, poetic, and critical writing. He has won numerous literary awards, including the “Arabic Booker” and “Sultan Al Owais Award for Arabic Poetry.”

Nasrallah’s new novel, “Wind Traps,” is the second installment of “The Palestinian Farce” project and a trilogy known as “The Omniscient Narrator Trilogy.” The novel takes place in three tracks between 1936 and 2021 in Palestine, Britain, and the Arab world and explores the historical and human depths of the Palestinian narrative.

In an exclusive interview with a publication, Nasrallah discussed the intersection of his literary project, Palestine, and writing. He mentioned the catastrophe in Gaza and its significance, emphasizing that “what has been happening in Gaza for ten months is bigger than 100 novels.” He explained that what is happening in Palestine is not an isolated incident and that Palestinian literature should respond to this turmoil.

The novelist chose to title his trilogy “The Comedy” instead of “The Tragedy of Palestine,” arguing that, with the passage of time, people would recognize the gravity of the situation. He also confirmed that the testimonies he gathered from real-life events make up approximately 15% of the narratives in his work.

Nasrallah emphasized his commitment to high artistic levels to express great artistic causes. He shared his perspectives on the role of writing, stating, “We write to shake the world, not to pat it.” He drew faith from his faith in people and his reading experiences, as he has been personally changed by the impact of literature. As for the relevance of his novel to the Palestinian and global context, Nasrallah stressed, “The Palestinian and Arab novels are globally relevant works, just as any novel from Chile, Japan, or anywhere else.

Conclusion:

Ibrahim Nasrallah’s literary project tackles the complexities and narratives of the Palestinian experience, weaving poetic and critical elements within his work. “Wind Traps,” the newest installment in “The Palestinian Farce” trilogy, is poised to stir conversations and debates regarding the intersection of culture, politics, and personal experiences within the context of Palestine’s contemporary struggles and turmoil.

Frequently Asked Questions:

How does Palestinian literature respond to contemporary events in the context of the Nakba and Palestinian struggles?
Palestinian literature has, and continues, to respond to and reflect on the historic and ongoing circumstances of the Palestinian struggle. Nasrallah’s work is but one exemplary instance of this critical and evocative literature that seeks to encapsulate the essence and intricacies of Palestine’s narrative.

How is translation impacting or affecting the spread and impact of Palestinian and Arab literature?
In Nasrallah’s opinion, his works will be translated in around 10 book editions this year, and despite the efforts and dedication that go into translation work, this process remains an opportunity for Palestinian literature, as it needs to be amplified and shared more effectively.

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