‘Christy’: What The Critics Are Saying About Sydney Sweeney’s Boxing Biopic — Toronto Film Festival

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‘Christy’: What The Critics Are Saying About Sydney Sweeney’s Boxing Biopic — Toronto Film Festival

Sydney Sweeney‘s latest performance in the David Michôd-helmed boxing biopic Christy has premiered at the 50th Toronto International Film Festival

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Sydney Sweeney‘s latest performance in the David Michôd-helmed boxing biopic Christy has premiered at the 50th Toronto International Film Festival to mixed reviews.

The 2x Emmy nominee stars as boxer Christy Martin, who never imagined life beyond her small-town roots in West Virginia—until she discovered a knack for knocking people out. Fueled by grit, raw determination, and an unshakable desire to win, she charges into the world of boxing under the guidance of her trainer and manager-turned-husband, Jim (Ben Foster). But while Christy flaunts a fiery persona in the ring, her toughest battles unfold outside it, as she confronts family, identity, and a relationship that just might become life-or-death.

While some critics have praised Sweeney for disappearing into the role of the professional boxer, others say that’s all the movie has going for it.

Deadline’s Pete Hammond said Christy is an “overlong (at 135 minutes), somewhat repetitive and finally, in the third act, excruciating-to-watch movie,” although he admitted, “Sweeney delivers, and then some, putting her all into this sometimes extremely dark tale, and really does show she has the acting chops to pull it off, as if we didn’t already know.”

“If only the movie didn’t feel like we have seen this before because Martin’s personal story … is worthy of it being told to as many people as possible,” adds Hammond. “Let’s hope Christy, despite its flaws, gets an audience for that reason alone.”

‘Christy’

Black Bear

In IndieWire‘s review, Kate Erbland wrote that Sweeney “disappears into the role, not just changing her hair color, eye color, accent, and way of moving, but her general air, her overall mien, the space she takes up in a room.”

The New York Post‘s Johnny Oleksinski called Sweeney “a knockout” in her performance, adding that the film is “a major step to showing there’s much more to her than rom and com.”

Meanwhile, Nick Schager wrote for The Daily Beast that Sweeney “gives a believable performance that almost transcends her role’s derivativeness. This manipulative hybrid of Rocky, Million Dollar Baby, and Monster, however, is so rote that even an A.I. wouldn’t dare try to pass it off as original.”

TheWrap‘s Chase Hutchinson wrote, “It succeeds about half the time, making for a split decision where Sweeney and Christy both emerge as champions while the film itself can’t quite go the distance.”

For The Guardian, Benjamin Lee concluded, “Christy Martin’s life was filled with devastating blows but in her biopic, we barely feel the impact.”

Producers are Kerry Kohansky-Roberts, Teddy Schwarzman, Brent Stiefel, Justin Lothrop, Michôd and Sweeney, and the movie premieres Nov. 7 in theaters via Black Bear.

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